Today: More Hamptons tidbits, the bummer final act in a very interesting life, real talk about making money by directing great indie films, and a shopping cart full of sunscreen and pimple patches. |
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Photo: Horst P. Horst/Conde Nast/Getty Images |
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From the “Hamptons Issue” comes the sad tale of arts patron Christophe de Menil — grandmother of artist Dash Snow, rescuer of the Hampton Classic — who was allegedly held captive in her Upper East Side apartment for years by her daughter, Taya Thurman (yes, Uma is her half-sister). Decades earlier, Thurman had broken ties with her mother because she felt de Menil enabled her son, who famously died young of a heroin overdose. Annie Armstrong dug into the dark family drama.
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The circumstances around her final years have long been the source of speculation. Friends say they lost regular contact with Christophe after she handed power of attorney to her daughter, Taya Thurman, and Taya’s son Maxwell Snow, Dash’s brother. In 2021, Alina Morini began to file court documents alleging Taya was responsible for keeping Christophe trapped in her apartment on East 81st Street and Fifth Avenue, surrounded by rotting food and inattentive caretakers. Taya, in her own filing, called Morini “a con-artist.” But friends of Christophe backed Morini’s claims in court. In an affidavit, William Middleton, who wrote Double Vision, the definitive biography of Christophe’s parents, John and Dominique de Menil, alleged Taya and Max also kept Christophe’s sister Adelaide apart from friends and fired longtime employees. “Their single-minded effort to get their hands on the fortunes of the two sisters [is among] the most shocking acts of elder abuse, family betrayal, and pure greed that I have ever witnessed,” Middleton wrote.
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The sheer number of socialites, artists, and celebrities tangentially touched by this story is quite staggering. |
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Illustration: Simon Bailly / Sepia
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Harsh toke: Indie filmmaking is not a cash cow. Hershal Pandya spoke with five respected, well-known directors whose lives are not financially sustainable. Here’s director Daniel Lombroso’s take on the situation: |
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If you see your film as a commodity, you will be disappointed, and you probably will not see money back. A lot of times, even people who sign with distributors don’t see much money back.
The perception of filmmaking is that it’s glamorous. We just had a film in SXSW that got really fantastic reviews. But then you come back to New York, and you have to find a way to make a living. I’ve made a lot of films that have played at the big American festivals, and some in Europe, and I still have never made money as a director. I have friends who’ve been nominated for Oscars and then have gone back to day jobs near the minimum wage. I think the secret that people don’t talk about is that a lot of people in independent films come from a huge amount of family money, so they probably don’t have to work and can focus on their films. That’s okay, but it’s certainly not my situation.
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If, after reading this, you feel scandalized about the extent to which the movie business runs on unpaid and underpaid labor, you are gonna be really shocked when I tell you about book publishing, lol. |
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Photo-Illustration: The Strategist; Photos: Retailers |
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The Cut and the Strategist have great coverage of everything that’s on sale at the everything store, which I have cherry-picked to fill up my own cart. From Strat’s deals roundup, I snagged Youth to the People Superfood Cleanser, which has kale in it and somehow smells great. The team also has specific K-beauty recommendations, leading me to purchase Skin1004 sunscreen and CosRx pimple patches. And from The Cut’s roundup, I added a Boy Smells candle and CNP Honey Lip Butter. While I was at it, I stocked up on my favorite Strat-endorsed moisturizer, Centellian24 Madeca Cream, which is 30 percent off. In other words, this summer I’m going to be so fragrant, sun-protected, and moist.
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Photo: Todd Owyoung/NBC via Getty Images |
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A weekly dispatch on the cultural discourse. |
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https://link.nymag.com/oc/611a318d9063ba338d0c9636rjz0r.cxg/2bb6c1e4
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