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Instrument Separation: What it is and why it matters

It’s never just about headphones


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It’s never just about headphones  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ 
STATUS
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PRINCIPLES OF AUDIO - INSTRUMENT SEPARATION

Hey again!

As many of you know by now, our goal at Status Audio is to explore a wide range of audio topics. You don’t need special qualifications, an acute sense of hearing, or a ton of money to be passionate about music. So, in this newsletter, we’ll go over another topic to help you build your literacy in audio tech. Today's topic is instrument separation.

INSTRUMENT SEPARATION

Pretty straightforward right? When it comes down to it, instrument separation is truly just a measure of how clear a headphone is across the entire frequency range. Now, there are a number of more complex topics that feed into this simple concept. Here are two of the most important ones:

1. Frequency Response
2. Harmonic Distortion

We’ve already covered harmonic distortion, but here’s a recap: In essence, harmonic distortion measures how clear a headphone sounds the more volume you put through it. If it begins to distort at higher volumes, frequencies (and therefore instruments) begin to blend together into a harsh “fuzz”. Has anyone ever listened to those airline earbuds? That's the best example of poor harmonic distortion control we can think of.

Now, frequency response is the other contributor to instrument separation, and it's a tricky one!

FREQUENCY RESPONSE

In other words, how loud is the bass? How quiet is the treble? Check out the below frequency response.

FREQUENCY RESPONSE

The Harman curve allows us to appreciate a device’s frequency response settings.

Humans hear from 20 to 20,000 Hertz. This chart shows that range of hearing, the left side behind 20Hz (the bass frequencies) and the right side being 20,000Hz (the treble). The volume is measured in decibels.

Based on this chart, we can conclude that these particular headphones have a 9dB boost in the bass, and an 11dB boost in the upper midrange (around 3,500 Hertz).

By reading these charts, we have a better understanding of how a particular headphone will perform. For example, these headphones will have a heavy bass, and a relatively bright (but not too bright) response. Combine this with harmonic distortion for clear volume, and you can begin to understand which instruments may appear more distinct and separated.

(Here comes the plug…)

Our Between Pros have some of the lowest harmonic distortion of any earbud on the market (less than 5% at full volume!). When you combine that with a frequency response carefully tuned for perfect vocals and rich low end bass, you’ve got a killer earbud for a wide, rich, sound with plenty of instrument separation!

Give the buds a test-run and see if you agree!

SHOP BETWEEN PRO
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