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For more information on the exhibitions, including sponsorship credits, visit Gothic by Design: The Dawn of Architectural Draftsmanship, Lillian Bassman: Bazaar and Beyond, Creatures of Myth and Imagination: Europe and the Americas, City of Memory: Nanjing in the Seventeenth Century, Musical Bodies, and Costume Art.
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Images: Top: Robert Colescott (American, 1925–2009). Knowledge of the Past Is the Key to the Future: Some Afterthoughts on Discovery (detail), 1986. Acrylic on canvas. The Metropolitan Museum of Art, New York, Arthur Hoppock Hearn Fund, 1987 (1987.166) © The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York Bottom: Emanuel Leutze (German American, 1816–1868). Washington Crossing the Delaware (detail), 1851. Oil on canvas, 149 x 255 in. (378.5 x 647.7 cm). The Metropolitan Museum of Art, New York, Gift of John Stewart Kennedy, 1897 (97.34) | Possibly by Wenzel Roriczer (German, born Bohemia, died 1419). Design for the Entrance Portal of Regensburg Cathedral (detail), ca. 1390–1410. Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment, Sheet: 53 3/16 × 22 3/8 in. (135.1 × 56.9 cm). Kupferstichkabinett, Akademie der Bildenden Künste Wien (HZ-16871r) | Lillian Bassman (American, 1917–2012). Solarized Fashion Study (detail), ca. 1960. Gelatin silver print. The Metropolitan Museum of Art, New York, Gift of Lizzie and Eric Himmel © Estate of Lillian Bassman | Tairona artist(s), Figure Pendant, Colombia, 900–1600 CE. Gold. The Metropolitan Museum of Art, New York, Jan Mitchell and Sons Collection, Gift of Jan Mitchell, 1991 (1991.419.31) | Tao Hong (Chinese, active ca. 1610–1640s), Riverside village, 1638. One leaf from an album of seven leaves. Image: 9 3/4 × 10 1/2 in. Promised gift of Julia and John Curtis. | Thomas Zach, Violino Harpa Forma Maxima, 1874. Wood (spruce, maple, ebony), metal strings. Collections Musée de la musique / Cliché Claude Germain, 2020. Cité de la musique-Philharmonie de Paris | Assemblage: Ensemble, John Galliano for Maison Margiela, autumn/winter 2020–21 haute couture. Courtesy of Maison Margiela; The Veiled Woman, Rafaelle Monti, 1854. The Metropolitan Museum of Art, New York, Gift of Annie Brinkmann, 1887 (87.7) Artwork by Julie Wolfe.
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