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Join as a Member for One-of-a-Kind Experiences at The Met
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Louise Bourgeois: Paintings | Jacques Louis David: Radical Draftsman | Fictions of Emancipation: Carpeaux Recast | Winslow Homer: Crosscurrents
Join as a Member today for special access to our 2022 exhibitions.
Thank you for being a part of The Met community. This past year, the Museum brought over 20 exhibitions to life, from In America: A Lexicon of Fashion to Charles Ray: Figure Ground. Groundbreaking exhibitions like these can only be found in our galleries—a place where knowledge and creativity merge for memorable experiences.

Become a Member today to support the Museum and experience benefits like Member Preview Days and free, express admission on each visit for you and your guest(s).

Join as a Member →

We hope you're able to join us for unique, groundbreaking exhibitions that can only be found at The Met, including Charles Ray: Figure Ground, Jacques Louis David: Radical Draftsman, Winslow Homer: Crosscurrents, A New Look at Old Masters, Companions in Solitude: Reclusion and Communion in Chinese Art, and many more.

Members sustain the Museum's innovative programming, important learning opportunities, and conservation efforts. Please become a Member today and help us bring the power of art to visitors of all ages and backgrounds.
 
 
Upcoming Events for Members
 
Member Morning Hours
Every Thursday from 9–10 am
The Met Fifth Avenue


Beat the crowds and enjoy Members-only access to Inspiring Walt Disney: The Animation of French Decorative Arts, Before Yesterday We Could Fly: An Afrofuturist Period Room, and In America: A Lexicon of Fashion.
Preview Days for Winslow Homer: Crosscurrents
April 7–10
Museum Hours


Enjoy a sneak peek at the exhibition before it opens to the public. Featuring approximately 90 oils and watercolors, Winslow Homer: Crosscurrents represents the largest critical overview of Homer's art and life in more than a quarter of a century.

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Hours and Safety Guidelines
Your Member card is your ticket! For Museum entry, no advance reservations or timed tickets are required for Museum entry. Upon arrival, use the Member entrance at 81st Street and Fifth Avenue and please have your vaccination information and Membership ID ready. Once inside, present your Membership information and proceed directly to the Museum galleries.

Need any help? Visit the Members desks in the Ruth and Harold D. Uris Center for Education by the 81 Street Entrance or in the Great Hall by the 82 Street Entrance.

In accordance with the New York City mandate, all visitors age 5 and older must show proof of full vaccination (at least two doses of an accepted two-dose series vaccine, or one dose of the Johnson & Johnson vaccine). All visitors age 18 and older must also show a valid personal ID.

Face coverings are required for all visitors age 2 and older, even if you are vaccinated. For the health and safety of our staff and visitors, dining locations are closed.
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For more information about the exhibitions, including sponsorship credits, see Louise Bourgeois: Paintings, Fictions of Emancipation: Carpeaux Recast, Jacques Louis David: Radical Draftsman, Winslow Homer: Crosscurrents, In America: A Lexicon of Fashion, Charles Ray: Figure Ground, A New Look at Old Masters, Companions in Solitude: Reclusion and Communion in Chinese Art, Inspiring Walt Disney: The Animation of French Decorative Arts, and Before Yesterday We Could Fly: An Afrofuturist Period Room.

Images: Louise Bourgeois in the studio of her apartment at 142 East 18th Street, ca. 1946. Gelatin silver print, 2 1/4 x 2 1/4 in. (5.7 x 5.7 cm). © The Easton Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY | Jacques Louis David, The Oath of the Tennis Court (detail), 1791. Pen and brown ink, pen and black ink, brush and brown wash, heightened with white, over black chalk. Musée du Louvre, Paris, on deposit at the Musée National des Châteaux de Versailles et de Trianon (inv. DESS 736 / MV 8409 / MV RF 1914). Photo: © RMN-Grand Palais / Art Resource, NY, photo by Gérard Blot | Jean-Baptiste Carpeaux (French, 1827–1875). Why Born Enslaved! (detail), modeled 1868, carved 1873. Marble, H. 22 7/8 in. (58.1 cm), W. 16 in. (40.6 cm), D. 12 1/2 in. (31.8 cm). The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace, Wrightsman Fellows, and Iris and B. Gerald Cantor Foundation Gifts, 2019 (2019.220) | Winslow Homer (American, 1836–1910). The Gulf Stream, 1899. Oil on canvas, 28 1/8 x 49 1/8 in. (71.4 x 124.8 cm). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1906 (06.1234)
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