The presenting sponsor of Raphael: Sublime Poetry is Morgan Stanley.
Major funding is provided by Kenneth C. Griffin and Griffin Catalyst, and Jessie and Charles Price.
Significant support is provided by the Richard Riney Family Foundation, the Ing Foundation, and Anthony W. and Lulu C. Wang.
Additional support is provided by Jim Breyer, the Fay Etta and Irving Flax Foundation, Julie and David Tobey, Barbara A. Wolfe, Gilbert and Ildiko Butler, Debra and Leon Black, Mark Gorenberg and Cathrin Stickney, the Robert Lehman Foundation, Dinah Seiver and Thomas E. Foster, Ann M. Spruill and Daniel H. Cantwell, The Coby Foundation, Ltd., and GRoW @ Annenberg Foundation.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
For more information on the exhibitions, including sponsorship credits, visit The Genesis Facade Commission: Jeffrey Gibson, The Animal That Therefore I Am, Making It Modern: European Ceramics from the Martin Eidelberg Collection, Lillian Bassman: Bazaar and Beyond, Revolution!, Costume Art, and Wedding Attire: Three Cultures, One Celebration.
For a full list of education program funders, please visit metmuseum.org/educationfundingsupport.
Images: Raphael (Raffaello di Giovanni Santi), The Virgin and Child with Infant Saint John the Baptist in a Landscape (The Alba Madonna) (detail), ca. 1509–11. Oil on canvas (transferred from wood). National Gallery of Art, Washington, D.C., Andrew W. Mellon Collection 1937.1.24 | Jeffrey Gibson (a member of the Mississippi band of Choctaw Indians and of Cherokee descent, born 1972). The Animal That Therefore I Am: they teach us to be sensitive and to trust our instincts, issi / awi / deer (detail), 2025. Patinated bronze. Courtesy the artist | Rozenburg Plateelfabriek, Plaque with seahorses and snakes (detail), 1883–1917. Glazed earthenware. The Metropolitan Museum of Art, New York, Gift of Martin Eidelberg, 2022 | Lillian Bassman (American, 1917—2012). Solarized Fashion Study (detail), ca. 1960. Gelatin silver print. The Metropolitan Museum of Art, New York, Gift of Lizzie and Eric Himmel © Estate of Lillian Bassman | Paul Revere Jr. (American, 1734–1818), after Henry Pelham (American, 1749–1806). The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment (detail), 1770. Hand-colored engraving and etching; second state. Sheet: 11 in. × 9 9/16 in. (27.9 × 24.3 cm). The Metropolitan Museum of Art, New York, Gift of Mrs. Russell Sage, 1910 (10.125.103) | Assemblage: Ensemble, John Galliano for Maison Margiela, autumn/winter 2020–21 haute couture. Courtesy of Maison Margiela; The Veiled Woman, Rafaelle Monti, 1854. The Metropolitan Museum of Art, New York, Gift of Annie Brinkmann, 1887 (87.7) Artwork by Julie Wolfe. | Woman's wedding jacket and skirt (detail), China, Qing dynasty (1644–1911), early 20th century. Silk and metallic thread embroidery on silk satin, Overall: 29 1/2 x 40 in. (74.9 x 101.6 cm). The Metropolitan Museum of Art, New York, Gift of Captain and Mrs. James Thach, 1946 (46.187.2a, b) |
